Mike Leigh

Mike Leigh
Mike Leigh, April 2008
Born	20 February 1943 (1943-02-20) (age 67) Broughton, Salford, Lancashire, England
Spouse(s)	Alison Steadman (1973-2001)

Mike Leigh, OBE (born 20 February 1943) is an English writer and director of film and theatre. He studied theatre at the Royal Academy of Dramatic Art and did his early acting with the Royal Shakespeare Company^{citation needed}. He began as a theatre director and playwright in the 1960s. In the 1970s he made the transition to television plays, many of which were characterized by a gritty "kitchen sink realism" style. Some of his well-known films include Life is Sweet (1990), the comedy-drama Career Girls (1997), the Gilbert and Sullivan biography Topsy Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are arguably Naked (1993) for which he won the Best Director Award at Cannes,¹ the BAFTA-winning (and Oscar-nominated) Palme d'Or winner Secrets & Lies (1996) and Golden Lion winner Vera Drake (2004).

Leigh begins his projects without a script, but starts from a basic premise which is developed through improvisation by the actors.

Contents 1 Early life 2 Career 3 Style 4 Personal life 5 Filmography 6 List of plays 7 Recurring collaborators 8 Further reading 9 References 10 External links

Early life

Leigh was born in Broughton, Salford, Lancashire, the son of Phyllis Pauline (née Cousin) and Alfred Abraham Leigh, a doctor² in a working-class area of Salford (near Manchester). Leigh was brought up in a Jewish immigrant family (whose surname was originally "Lieberman", but was anglicised before Leigh's birth).³⁴ Initially trained as an actor at RADA, Leigh went on to start honing his directing skills at East 15 Acting School where he met the actress Alison Steadman.

He won a scholarship to the Royal Academy of Dramatic Art in 1960. He later attended Camberwell School of Arts and Crafts, the Central Saint Martins College of Art and Design, and the London Film School. He played small roles in several British films in the early 1960s (West 11,Two Left Feet),and a part in the BBC TV series Maigret. In 1965 he began to write and direct one of his first plays.

Career

In the 1970s, Leigh made nine television plays. Earlier plays such as Nuts in May and Abigail's Party tended more towards bleakly yet humorously satirising middle-class manners and attitudes. His plays are generally more caustic, stridently trying to show the banality of society. Goose-Pimples and Abigail's Party both focus on the vulgar middle class in a convivial party setting that spirals out of control. The television version of Abigail's Party was made at some speed, Steadman was pregnant at the time, and Leigh's objections to flaws in the production, particularly the lighting, led to his preference for theatrical films.

In 1988, he made High Hopes about a disjointed working-class family whose members live in a run-down flat and a council house. Leigh's subsequent films such as Naked and Vera Drake are somewhat starker, more brutal, and concentrate more on the working-class; another of his recent films, however, is a modern-day comedy, Happy-Go-Lucky. A commitment to social realism and humanism is evident throughout. More specifically, several of his films and television plays examine the domestic relationships of ordinary people, which are brought to a head or transformed by some crisis towards the end of the film.

His stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.

The anger inherent in Leigh's material, in some ways typical of the Thatcher years, softened after her departure from the political scene. In 2005, Leigh returned to directing for the stage after many years absence with his new play, Two Thousand Years at the Royal National Theatre in London. The play deals with the divisions within a left-wing secular Jewish family when one of the younger members finds religion. It is the first time Leigh has drawn on his Jewish background for inspiration.

Leigh has won several prizes at major European film festivals. Most notably he won the Best Director award at Cannes for Naked in 1993 and the Palme d'Or in 1996 for Secrets & Lies. He won the Leone d'Oro for the best film at the International Venice Film Festival in 2004 with Vera Drake. He has been nominated for the Academy Award six times, twice each for Secrets & Lies and Vera Drake (Best Original Screenplay and Best Directing) and once for Topsy-Turvy and Happy-Go-Lucky (Best Original Screenplay only). He was also elected a Fellow of the Royal Society of Literature in 2008. ⁵

Leigh has used a pool of actors regularly over the years, including Alison Steadman, Timothy Spall, Lesley Manville, Ruth Sheen, Marion Bailey, Phil Davis, Jim Broadbent, David Thewlis, Peter Wight, Imelda Staunton, Sally Hawkins, Eddie Marsan, Claire Skinner, and the late Katrin Cartlidge.

Style

Leigh uses lengthy improvisations developed over a period of weeks to build characters and storylines for his films. He starts with some sketch ideas of how he thinks things might develop, but does not reveal all his intentions with the cast who discover their fate and act out their responses as their destinies are gradually revealed. Initial preparation is in private with the director and then the actors are introduced to each other in the order that their characters would have met in their lives. Intimate moments are explored that will not even be referred to in the final film to build insight and understanding of history, character and inner motivation.

The critical scenes in the eventual story are performed and recorded in full-costumed, real-time improvisations where the actors encounter for the first time new characters, events or information which may dramatically affect their characters' lives. Final filming is more traditional as definite sense of story, action and dialogue is then in place. The director reminds the cast of material from the improvisations that he hopes to capture on film.

In an interview with Laura Miller, "Listening to the World: An Interview With Mike Leigh," published on salon.com, Leigh states, "I make very stylistic films indeed, but style doesn't become a substitute for truth and reality. It's an integral, organic part of the whole thing." Leigh's vision is to depict ordinary life, "real life," unfolding under extenuating circumstances. He makes courageous decisions to document reality. He speaks about the criticism Naked received: "The criticism comes from the kind of quarters where "political correctness" in its worst manifestation is rife. It's this kind of naive notion of how we should be in an unrealistic and altogether unhealthily over-wholesome way".⁶

Personal life

In September 1973 he married Alison Steadman; they have two sons: Toby (born 1979) and Leo (born 1981). Steadman appeared in seven of his films and several of his plays, including Wholesome Glory and Abigail's Party. They divorced in 2001. He now lives in Camden with costume designer Charlotte Holdich.

In June 2009 Mike Leigh joined the Russell Tribunal on Palestine.⁷

Filmography

• Bleak Moments (1971)
• Hard Labour (1973)
• The Permissive Society (BBC Second City Firsts, 10/04/1975)
• Nuts in May (BBC Play for Today, 13/01/1976)
• Abigail's Party (BBC Play for Today, 01/11/1977)
• Kiss of Death (1977)
• Who's Who (1978)
• Grown-Ups (1980)
• Home Sweet Home (1982)
• Meantime (1983)
• Four Days in July (BBC1, 1/29/1985)
• The Short and Curlies (1987) - short
• High Hopes (1988)
• Life Is Sweet (1990)
• Naked (1993)
• Secrets & Lies (1996)
• Career Girls (1997)
• Topsy-Turvy (1999)
• All or Nothing (2002)
• Vera Drake (2004)
• Happy-Go-Lucky (2008)
• Another Year (2010)

List of plays

• The Box Play (1965)
• My Parents Have Gone to Carlisle (1966)
• The Last Crusade of Five Little Nuns (1966)
• Individual Fruit Pies (1968)
• Glum Victoria and the Lad with Specs (1969)
• Bleak Moments (1970)
• A Rancid Pong (1971)
• Wholesome Glory (1973)
• The Jaws of Death (1973)
• Dick Whittington and His Cat (1973)
• Babies Grow Old (1974)
• The Silent Majority (1974)
• Abigail's Party (1977)
• Too Much of a Good Thing 1979; BBC radio)
• Ecstasy (1979)
• Goose-Pimples (1981)
• Smelling a Rat (1988)
• Greek Tragedy (1989)
• It's a Great Big Shame! (1993)
• Two Thousand Years (2005)

Recurring collaborators

Further reading

• Carney, Ray & Quart, Leonard, The Films of Mike Leigh - Embracing the World (Cambridge: Cambridge University Press, 2000)
• Clements, Paul, The Improvised Play (London: Methuen, 1983) ISBN 0413504409 (pbk.)
• Coveney, Michael, The World According to Mike Leigh (London: HarperCollins, 1996)
• Movshovitz, Howie (ed.) Mike Leigh Interviews (Mississippi: University Press of Mississippi, 2000)
• Whitehead, Tony, Mike Leigh (British Film Makers) (Manchester University Press, 2007)

References

External links

• Mike Leigh at the Internet Movie Database
• Mike Leigh at the British Film Institute's Screenonline
• Mike Leigh at the Internet Off-Broadway Database
• Mike Leigh at Contemporary Writers
• Mike Leigh on Happy-Go-Lucky and on childhood visits at grandparents in Hitchin, ITV Local Anglia interview 2008
• Mike Leigh live on Film Unlimited - The Guardian, 17 March 2000.
• Extensive Mike Leigh Biography and Filmography
• Interview with Leigh on Naked from 1994
• A Conversation with Mike Leigh - an in-depth interview with the director
• Mike Leigh: A Life in Pictures, BAFTA webcast from the Brighton Festival, May 2008
• Mike Leigh interview in June 2008

v • d • e Mike Leigh Television films Bleak Moments (1971) · Hard Labour (1973) · The Permissive Society (1975) · Nuts in May (1976) · Abigail's Party (1977) · Kiss of Death (1977) · Who's Who (1978) · Grown-Ups (1980) · Home Sweet Home (1982) · Meantime (1983) · Four Days in July (1985) Theatrical films High Hopes (1988) · Life Is Sweet (1990) · Naked (1993) · Secrets & Lies (1996) · Career Girls (1997) · Topsy-Turvy (1999) · All or Nothing (2002) · Vera Drake (2004) · Happy-Go-Lucky (2008) · Another Year (2010)

v • d • e BAFTA Award for Best Original Screenplay Paul D. Zimmerman (1983) · Woody Allen (1984) · Woody Allen (1985) · Woody Allen (1986) · David Leland (1987) · Shawn Slovo (1988) · Nora Ephron (1989) · Giuseppe Tornatore (1990) · Anthony Minghella (1991) · Woody Allen (1992) · Harold Ramis and Danny Rubin (1993) · Roger Avary and Quentin Tarantino (1994) · Christopher McQuarrie (1995) · Mike Leigh (1996) · Gary Oldman (1997) · Andrew Niccol (1998) · Charlie Kaufman (1999) Complete List · (1983–1999) · (2000–present)

v • d • e BAFTA Award for Best Direction no award (1985) · Woody Allen (1986) · Oliver Stone (1987) · Louis Malle (1988) · Kenneth Branagh (1989) · Martin Scorsese (1990) · Alan Parker (1991) · Robert Altman (1992) · Steven Spielberg (1993) · Mike Newell (1994) · Michael Radford (1995) · Joel Coen (1996) · Baz Luhrmann (1997) · Peter Weir (1998) · Pedro Almodóvar (1999) · Ang Lee (2000) · Peter Jackson (2001) · Roman Polanski (2002) · Peter Weir (2003) · Mike Leigh (2004) · Ang Lee (2005) · Paul Greengrass (2006) · Joel Coen / Ethan Coen (2007) · Danny Boyle (2008) · Kathryn Bigelow (2009) Complete List · (1968-1984) · (1985-2009)

Awards and achievements
Cannes Film Festival
Preceded by Robert Altman for The Player	Best Director Mike Leigh 1993 for Naked	Succeeded by Nanni Moretti for Caro diario
Cannes Film Festival
Preceded by Emir Kusturica for Underground	Palme d'Or Mike Leigh 1996 for Secrets & Lies	Succeeded by Abbas Kiarostami for Taste of Cherry and Shohei Imamura for The Eel
Venice International Film Festival
Preceded by Andrey Zvyagintsev for The Return	Golden Lion Mike Leigh 2004 for Vera Drake	Succeeded by Ang Lee for Brokeback Mountain
British Academy of Film and Television Arts
Preceded by Peter Weir for Master and Commander: The Far Side of the World	Best Direction Mike Leigh 2004 for Vera Drake	Succeeded by Ang Lee for Brokeback Mountain